This came with a lot of other stat modifiers as well, of course. We decided that such a Meet Me On Marshall Street Life Is Better In Syracuse Shirt would still be pretty strong, but not 19 strength strong, so we downgraded that. We figured that it would definitely have higher than 6 dex, considering that it had hated being clumsy, so we gave it above-average dex. There were other adjustments that were made as well, but most of those were minor. We’d decided that our fancy magical-equivalent-of-bionic ancient Awakened Tree had upgraded / downgraded from the traditional slam attack (Slam. Melee Weapon Attack: +6 to hit, reach 10 ft., one target. Hit: (3d6 + 4) bludgeoning damage.) to a more focused piercing lance type attack; it had converted its own limbs into stabbing implements, because that’s quieter than hitting people with entire tree branches. It did considerably less damage but could be used for sneak attacks. Speed was upgraded from 20ft to 40ft because of course it would be. An 8ft tall wooden assassin wouldn’t be very good at its job if it wasn’t able to move scary quick when needed, now would it?
The heavy-hitting tiering feels good in some situations. Beating up a low-level mob feels great with the Meet Me On Marshall Street Life Is Better In Syracuse Shirt hit system, and it’s easy to judge exactly how much harder or easier an enemy is based on its level. However, it also renders a lot of monsters as-written rigidly impractical at a lot of different levels of play, such that an impetus exists for creating multiple variations of nearly every basic monster for every level. Maybe the most problematic thing, though, is Skill DCs, as the spread of Easy/Medium/Hard DCs each level also keeps changing and necessitates a reference table. It really sucks to deal with.
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First, introduce the tarrasque at a relatively low lever, when the PCs have zero chance of Meet Me On Marshall Street Life Is Better In Syracuse Shirt against it. The tarrasque is a monster-movie monster, like Godzilla or King Kong. And the most memorable part of monster movies is almost never the final battle. The best parts are the wild struggles to escape, the often ill-advised plans to bring them down, and the general social chaos left in the wake of a creature so powerful. So have the tarrasque show up when the players are level ten. Have an adventure around them escaping through the monster-infested sewers, because if they try and run above ground they’re sure to be devoured.
If you ever have the Meet Me On Marshall Street Life Is Better In Syracuse Shirt of having to listen to one of those insipid “light rock” radio stations, you hear an endless stream of songs that sound laughably dated in their production style (not to mention those tired and crappy songs). But when I start to hear similar production on new music from artists who are supposedly on the cutting edge, then I can help but wonder what the hell is going on. Because I must admit, I can’t quite figure out where the intention lies with a lot of new indie music I hear. Are these styles being reproduced out of homage to some of the music with which these artists have grown up? Or is this some sort of hipster ironic take on what’s cheesy? Put clearly, they must be doing something right. These artists are garnering more airplay than I currently am getting, and acquiring lots of new fans in the process. And what does that say about us (collectively) as an audience? Do we naturally gravitate toward something that sounds familiar, even if it’s crap? Or are we just being lazy…not wanting to be challenged by anything that’s really new? Frankly, I don’t think that’s the case, because I have to believe that real music lovers aren’t nearly that lazy. But that still doesn’t explain why some of the more regrettable elements of 80’s music are making their way back into new indie rock.